The most convincing of the theories on its origin tell Elephanta caves were executed during the period 450 to 750 AD. Incidentally, this period also marks the decline of Buddhism in India and the revival of the Brahmanical traditions.

The warrior king Pulakesin II of the Chalukyas of Badami dynasty, is attributed with commissioning of a significant portion of the caves.

Elephanta Island came under the dominions of at least half a dozen powers that ruled this region over the centuries 400 BC to the modern times.

That include the Mauryas of Konkan, Trikutakas , Chalukyas of Badami, Silaharas, Rashtrakutas , Kalyani Chalukyas , Yadavas of Deogiri, Shahi dynasty of Gujarat , the Portuguese , the Marathas and also the British. The Island was called Gharapuri.

The caves of Shiva were most likely executed during the mid 6th century during the Konkan Maurya's period. Being a major ancient trade gateway, it is also likely that its patrons were the rich trade-merchant guilds, than any particular king.

Even before the Hindu caves were excavated, the island was a Buddhist center. The remains of the Buddhists Stupas in Elephanta probably belongs to the early phase of Buddhism dating 2nd century BC.

During the early colonial period the clusters of islands that eventually became the modern day Mumbai was under Portuguese control.

Apart from the natural causes, a great deal of damage to the sculptures in Elephanta is attributed to the Portuguese soldiers. It was recorded by many European travelers, the vandalism caused to the caves during this period.

The sculptured panels were used for shooting practices. For the bulk of the panels, the lower sections were destroyed, faces disfigured.

They did everything possible to break that massive elephant that once stood on the shore. In fact the Portuguese gave the name Elephanta to this island thanks to this sculpture, otherwise the island was called Gharapuri ('Island of Caves'). This finally collapsed in 1814, the British moved it to the mainland and assembled at the Victoria Garden in Mumbai.

In 1540 a large inscribed stone at the entry point of the island was taken to Portuguese by the Portuguese viceroy João de Castro, allegedly for the epigraphical decipherment of inscriptions written on it.

This stone went untraceable. Gone with it is a very valuable piece of historic artifact that could throw some light on the circumstance led to the execution of these caves, and more importantly who were its patrons.

In 1661 the cluster of islands that formed Mumbai came to the British Crown as dowry of the marriage treaty of Charles II of England and Catherine of Braganza, daughter of King John IV of Portugal, but Elephanta excluded. This island remains as a Portuguese outpost for some times to come.

From an anti-piracy and military standpoint point, the island remained a strategic point, especially when Mumbai was gradually made into a busy port city in the subsequent centuries. You can still see a few cannon outposts at a place called the Cannon Hills in Elephanta.

The earliest conservation efforts is dated to 1890 under the then Bombay Public Works Department.

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Canon in Elephanta

Canon in Elephanta

From an anti-piracy and military standpoint point, the island remained a strategic point, especially when Mumbai was gradually made into a busy port city in the subsequent centuries. You can still see a few cannon outposts at a place called the Cannon Hills in Elephanta.

Everything about Elephanta!

The most convincing of the theories on its origin tell Elephanta caves were executed during the period 450 to 750 AD. Incidentally, this period also marks the decline of Buddhism in India and the revival of the Brahmanical traditions.

Nataraja at Elephanta Caves

Nataraja at Elephanta

Nataraja Panel is located at the entry point of the main cave, opposite to the Mahayogi Shiva at Elephanta.After the three panels (Gangadhara at Elephanta , Mahesh Murthy at Elephanta and Ardhanarishvara at Elephanta ) which are located in the deep wall of the cave, this is the most dynamic of all t...

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Ardhanari image at Elephanta

Mythical Themes at Elephanta

The choice of the themes in Elephanta's panels is an interesting mix... anything from love to contemplation to violence to performing arts to yoga. In Elephanta you'll see some of the highest watermarks of medieval India's sculptural art.

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The unfinished cave 5 in elephanta island

Elephanta Cave 5

Though it's an unfinished cave, a visit can give you good idea of the how the work in progress sites looked like during the excavation of caves.

GALLERY

Entrance to the cave 3 in Elephanta

Elephanta Caves

The name, Elephanta was given by the Portuguese as there was a large elephant sculpture in the island, when it was held by them as a naval outpost.Otherwise this island was known as Gharapuri.

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Ardhanari view from Parvati side

Ardhanarishvara at Elephanta

Ardhanarishvara, literally translates into the god (Siva) half female.For its artistic excellence , this image is arguably the second best image, after the three headed Mahesh Murthy (also sometimes referred as Trimurthy ) at Elephanta.

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Elephants Island Map

Elephanta Cave 6 and Cave 7

Cave 6 and 7 are located in the eastern hill in Elephanta Island. It's not very frequented by visitors compared to the rest of the caves.

Shiva-Parvati of Elephanta

Shiva-Parvathi at Elephanta

In this panel Parvathi, the consort of Lord Shiva is portrayed in a affectionate but somewhat upset mood.Her head is turned away from Shiva.The theme revolves around a game of dice the couple played.

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